Everything about Howard Jones Musician totally explained
» For the American metalcore musician of the same name, see Howard Jones (American musician).
Howard Jones (born
John Howard Jones,
23 February 1955) is an
English singer and
songwriter who gained acclaim in the 1980s.
He is the eldest of four boys (brothers Roy, Martin, and Paul). Born in
Southampton,
Hampshire, he spent his early years in Stokenchurch, near
High Wycombe,
Buckinghamshire and attended the
Royal Grammar School. He then spent a year at the
Royal Northern College of Music in
Manchester. He currently lives with his family in
Somerset.
Early career
Jones took
piano lessons from the age of 7 and joined his first band at 15. When he was young, he used to give piano lessons. One of his clients was a girl named Jan Smith, whom he later married. Whilst working with her, a vehicle crashed into their van, injuring Smith. She claimed compensation and used the money to buy Howard a
synthesiser, a
Moog Prodigy. He was sent two synthesizers by accident, and he liked the combination of the two so much that he paid for the extra one. He appeared as a solo artist in local venues in High Wycombe, before inviting a
mime artist called Jed Hoile, who used to do improvised
choreography while doused in white paint as Jones played behind him. After a well-received
John Peel session he obtained support slots with
China Crisis and
OMD before signing to
WEA in the summer of 1983.
Major label recording career
After a promotional frenzy, his first
single called "
New Song" was released in September 1983 and reached the
UK top five and
U.S. top 30. He made his debut performance on
Top Of The Pops in October 1983, watching the performance on a borrowed television resting on an ironing board before a concert at The University of Kent. He subsequently had four more
hits over the next twelve months and a UK Number 1
album,
Human's Lib. This album went gold and platinum in a number of countries and he acquired a hardcore fanbase. His mother and father Thelma and John Jones ran his fan club. Jones was a close temporal and stylistic contemporary of
Nik Kershaw, and the two
musicians were often allied in the affections of the contemporary pop audience.
Jones combined synthesizer music with comment on animal rights and life's excesses. Philosophy, spirituality and humanistic ideals were all lyrical themes.
In the summer of 1984, he released a single called "Like To Get To Know You Well", which he said was 'dedicated to the original spirit of the
Olympic Games'. Although it wasn't an official
Olympic anthem for
the Games in Los Angeles that summer, it caught on and was a huge worldwide hit. The sleeve featured the song title in ten different languages; while Jones sang the title line in
French and
German on the extended version. The song appeared in the film
Better Off Dead (1985) and the
computer game (2006).
Jones' second album was a '
remix' album. It contained six songs, all but one of which had been previously released, but which appeared in elongated formats, including the multilingual version of "Like To Get To Know You Well". The album was called
The 12 Inch Album and the sleeve featured a miniature Jones standing next to a 12-inch ruler.
When he released his second studio album,
Dream Into Action, in 1985 he introduced his own backing band, including female backing vocal trio
Afrodiziak. Afrodiziak featured
Caron Wheeler (who went on to greater success with
Soul II Soul) and
Claudia Fontaine (who became a renowned backing singer). Playing
bass guitar, meanwhile, was Jones' own
brother Martin, who had to have an extra string added to his instrument to play some of Howard's bass lines, which were originally played on a
keyboard without regard for the range of a real bass guitar. One of the singles released from this album, "No One Is To Blame", was later re-recorded and featured
Phil Collins as
drummer and
producer.
Dream Into Action was a huge hit worldwide.
In July 1985, Jones performed at
Wembley Stadium as part of the
Live Aid concert, singing his 1984 hit "Hide And Seek" while playing a piano belonging to
Freddie Mercury. He also embarked on a major world tour-hitting countries such as Japan, Australia and the US where Jones was selling out huge arenas.
Independent recording and producing career
Jones had his last UK
Top 40 hit in 1986 with 'All I Want' but continued to have a degree of success in the US. He concentrated on production, songwriting and running a successful
vegetarian restaurant called Nowhere. He had more hits on the
Billboard charts in the U.S. into the early
1990s, including "Everlasting Love" (1989, his second #1 hit on the U.S.
Adult Contemporary chart after "No One Is To Blame"), "The Prisoner" (1989), and "Lift Me Up" (1992).
Jones'
recording contract with
Warner Bros. Records/WEA was cancelled after the release of
In The Running and
The Best Of Howard Jones. He responded by starting his own
record label, dtox, and producing an album in his own studio
The Shed which was made available only at gigs and through his website. Artists affiliated with Howard's Dtox label include
Martin Grech,
Dba, Shaz Sparks and The Itch (Robin Boult).
In 2001, Jones played keyboards for
Beatles legend
Ringo Starr for Ringo's All Starr Band tour. The 2001 All Starr Band line-up consisted of ex-
Supertramp frontman Roger Hodgson, dance-music percussionist
Sheila E., former
Mott the Hoople singer
Ian Hunter and
King Crimson/
Emerson, Lake and Palmer singer-bassist
Greg Lake. Jones fulfilled two life-long ambitions on this tour: to play live in a band with a member of the Beatles and to play
Karn Evil 9 live.
Keith Emerson’s classic keyboard arrangement is regarded as one of the most difficult keyboard pieces ever written.
On 20 September 2003, Jones played a sold-out 20th Anniversary Concert at the
Shepherds Bush Empire,
London, commemorating the release of his first single. The gig, which drew fans from all over the world, consisted of four sets: Acoustic, Retro, Electronic and Full Band, featuring music from his 20-year career. He was joined by friends
Midge Ure (
Ultravox) and
Nena, as well as his mime artist, Jed Hoile. A recording of this concert has since been released on
DVD.
Current activities
Jones has continued to tour and write new music, more recently collaborating with Robbie Bronniman (Dba) to co-produce music for the
Sugababes and his 2005 studio album
Revolution of the Heart.
He has been busy in the past few years touring the world - playing
gigs in the
United States,
Italy,
Germany,
Sweden and other countries. He has been putting the finishing touches to a new acoustic album, a second album of piano solos and remixing some tracks from his last album. He played a number of nights at the
Edinburgh Festival in Scotland in 2006. The same year Jones did a vocal for the song "Into the Dark" by
Ferry Corsten for
L.E.F..
In 2006, he re-recorded his hit song "Things Can Only Get Better" in
Simlish, the fictional language spoken by characters in
Electronic Arts'
The Sims 2. Jones is also featured on
Katrina Carlson's remake of his hit "No One Is To Blame," which cracked the U.S.
Adult Contemporary singles chart in the fall of 2007.
In October 2006, he released the song "Building Our Own Future" as a
podsafe track, as one of several established artists looking to use
podcasts as a new means of promoting their music and tours. The song debuted at #1 on the
Pod Music Countdown (PMC Top10) October 29, 2006 and spent four weeks at the top of the chart. Howard's track "Revolution of the Heart" spent five weeks at #1 on the
PMC Top10 during 2007 and finished the year as the #2 song in the annual countdown.
The
electro DnB producer,
John B,
remixed Jones' song "For You See Me" on his 2006 album,
Electrostep.
Jones embarked on a tour of
Australia in 2007, beginning at the Kedron-Wavell RSL club in
Brisbane on March 22 and concluding on April 5 at The Regal,
Perth.
2005 seen the release of 'Revolution Of The Heart' - a ten track retro elctronic album. Although this didn't achieve similar chart success as his previous albums it was aimed more at the loyal fan base Howard still has in the UK, the U.S. & many European contries.
In 2007 the 'Revolution Remixed & Surrounded' album featuring a bonus DVD & excellent remixes from John B, The Young Punx, DBA & the 'Sharooz' mix of 'Stir It Up' was followed in the November by the 'Live In Birkenhead' cd.
2008 started of very well with the single release of 'Into The Drak' [ Ferry Fix ] by Ferry Corsten. This features an outstanding mix by Corsten's latest DJ discovery 'Breakfast.'
Also, proving that Howard's music stands the test of time, his 1983/84 UK top 10 smash hit 'What Is Love?' has been covered by indi / rock band Audio1. You can hear a clip of the track on Audio 1's Myspace page: http://www.myspace.com/audio1music
Howard recently went into the studios of The Young Punx to record vocals for their forthcoming Summer 2008 release "And The Feel Goes On." The eagled eyed amongst you'll note that this is very nearly a line from his 1984 UK top 10 hit 'Pearl In the Shell.'
Tickets are also now on sale for a magnificant 25th Anniversary concert @ the O2 Indigo, London on September 20th & Howard's new studio album is scheduled for release around this time.
Jones performed an acoustic set with other 1980's acts at Retro Fest on 1st September 2007 at
Culzean Castle in
Ayrshire,
Scotland.
Jones is a member of the Japanese Buddhist lay organization
Soka Gakkai, and is musical director of its choir, the
Glorious Life Chorus. The chorus performs some of his songs in its repertoire, including "Building our own Future" and "Respected".
Musical style
Many elements of Jones' style are identifiable on numerous tracks.
Bass notes or riffs
Jones often uses a single bass note or repeated riff
pedal point, despite chord changes. On his debut album,
Human's Lib, this style is used on the following tracks:
- What Is Love? (during the chorus)
- Pearl In the Shell
- Hide and Seek
- Hunt the Self
- Don't Always Look At the Rain (during the chorus)
- Equality
Many of his subsequent albums also have numerous tracks that employ this style. This technique may stem from limitations of early sequencers and synthesisers.
Pauses
Jones uses
musical rests throughout his tracks instead of sustaining notes. This provides a clear, crisp sound and may also stem from
limitations of early synthesisers.
Percussion
Some of Jones' tracks have little or no percussion/drums. This is to be expected on tracks that were essentially piano solos but also includes tracks such as:
Elegy
One Last Try
Sleep My Angel
Little Bit of Snow
Discography
For a list of Howard Jones releases, see Howard Jones discography.Further Information
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